
“A relic is all that stands between Rome and victory!” This award-winning book from Micheál Cladáin’s is free for a limited time from today. Download…
Hammer: Free for a Limited Time
Publishing Services

“A relic is all that stands between Rome and victory!” This award-winning book from Micheál Cladáin’s is free for a limited time from today. Download…
Hammer: Free for a Limited Time


“A relic is all that stands between Rome and victory!” This award-winning book from Micheál Cladáin’s is free for a limited time from today. Download…
Hammer: Free for a Limited Time

The year is CE 77. Vespasian appoints Agricola as governor of Britannia. Upon arriving, Agricola is told of an Ordovician attack led by his enemy, …
The Iron Between: Anvil

“A relic is all that stands between Rome and victory!”
This award-winning book from Micheál Cladáin is free for a limited time from today.
Download an epic adventure!
Embark on a pulse-pounding journey alongside Genonn, a seasoned Druid, as he undertakes a mission that will test his limits. When rebellion erupts in Roman Britain, he is forced to make a heart-wrenching choice between his duty and the safety of his daughter.
Simultaneously, Agricola, a member of the Governor’s staff, is shocked by Suetonius’s decision to march west in the face of a looming threat from the Iceni Queen on the island’s East Coast. Is Suetonius truly unaware of the danger, or is something more sinister at play?
Prepare to be swept away on an exhilarating journey through perilous lands and witness awe-inspiring acts of heroism that will ignite your imagination. Don’t miss out on this epic tale of duty, sacrifice, and the unbreakable bonds of family.
Reviewing Iron, Kirkus hailed Hammer, the preceding volume, as: “Agricola was the hero of the thrilling military climax of the preceding volume, Hammer (2023)—each book is satisfying on its own, although there’s a rewarding sense of momentum in reading them in order.”
Renowned Irish author, John De Burca called it “Hugely enjoyable.” Renowned historical novelist, Cathie Dunn called it a “…riveting read.” Renowned historical novelist Lissa Oliver wrote, “I really enjoyed this book.”

“A relic is all that stands between Rome and victory!”
This award-winning book from Micheál Cladáin’s is free for a limited time from today.
Download an epic adventure!
Embark on a pulse-pounding journey alongside Genonn, a seasoned Druid, as he undertakes a mission that will test his limits. When rebellion erupts in Roman Britain, he is forced to make a heart-wrenching choice between his duty and the safety of his daughter.
Simultaneously, Agricola, a member of the Governor’s staff, is shocked by Suetonius’s decision to march west in the face of a looming threat from the Iceni Queen on the island’s East Coast. Is Suetonius truly unaware of the danger, or is something more sinister at play?
Prepare to be swept away on an exhilarating journey through perilous lands and witness awe-inspiring acts of heroism that will ignite your imagination. Don’t miss out on this epic tale of duty, sacrifice, and the unbreakable bonds of family.
Reviewing Iron, Kirkus hailed Hammer, the preceding volume, as: “Agricola was the hero of the thrilling military climax of the preceding volume, Hammer (2023)—each book is satisfying on its own, although there’s a rewarding sense of momentum in reading them in order.”
Renowned Irish author, John De Burca called it “Hugely enjoyable.” Renowned historical novelist, Cathie Dunn called it a “…riveting read.” Renowned historical novelist Lissa Oliver wrote, “I really enjoyed this book.”
When Monty Python fans get together, the phrase “What did the Romans ever do for us?” will surely ring out. Even those who are not fans of the seventies satire Life of Brian recognise the scene depicting the People’s Front of Judea, listing the various benefits the Romans brought with their subjugation of Jerusalem and the Judean people. Of course, back in the seventies, imperialism was not the elephant in the room that it has now become—perhaps rightly so. I’m a storyteller, not an activist or a politician, so I will leave that fight up to others.
Oh, and not forgetting: “The wine! Don’t forget the wine!”
Here, in Ireland, there was a different saying. It was a turn of phrase I found, at the least, confusing and, in some ways, downright idiotic, “Romans. Which Romans? They were never here!”
Of course, during the era of Christ and the Romans, Imperialism was the flavour of the Epoch. The small men from south of the Alps had a penchant for conquest and brutality. And they were small—Caesar described the Gauls as giants. For further clarification, you only need to look at the casts from Pompeii to realise just how small they were. They were still small during the 1990s when I lived in Naples and was considered a giant at 6’ 2.
I digress.
When I first started writing pre-Christian Irish historical fantasy novels, specialists believed that the Romans never made it to the shores of Ireland—a belief that they had set in stone, despite the discovery of Roman artefacts connected to the legendary High King, Túathal Techtmar and the existence of the promontory fort at Drumanagh. Architects and historians poo-pooed the idea of the Romans in Ireland because there is no evidence to support the theory, or so they continue to say. The fort, they say, was a trading post. Tacitus, they say, was writing about the Isle of Man.
My conviction, however, remains unshaken because of several facets:
Drumanagh—The promontory fort—as the description implies—has all the appearance of a structure defending a bridgehead on the headland. Roman tactics demanded that the legions build a fort at the end of each marching day to protect them from attack. I can see the Roman architetti (engineers) landing first and constructing the defences while the remaining troops disembarked. The three ditches span the headland in a form reflected in Roman marching forts.
Tacitus—Publius Cornelius Tacitus, Agricola’s son-in-law, was a historian who claimed that Agricola had crossed the seas and fought an unknown enemy. Historians believe Tacitus meant the crossing of the Clyde or the Forth during his conquest of Caledonia. I can see it, except Tacitus also wrote that Agricola stood on the headland of Holyhead gazing to the west and promised that he would defeat the Hibernians with a single legion and auxiliaries. Looking at a map, I see that Man is north of Holyhead. The naysayers have said that Ancient Roman directional accuracy was fallible; look at Ptolemy’s map. However, geography must have played a part.
Irish Legends—Tacitus also wrote that a Hibernian prince asked for Agricola’s help to regain his throne. According to Irish legend, Túathal Techtmar was an exiled prince who returned to Ireland to reclaim his throne. This return coincides with the time Tacitus claims Agricola crossed the seas to fight an unknown foe. Drumanagh is fifteen miles north of Dublin, close to where Túathal is supposed to have landed. This legend and other Irish myths and historical accounts provide intriguing parallels to Tacitus’s writings, further fuelling my belief in the potential Roman presence in Ireland.
Geography with Roman Imperialism—On a clear day, from an elevated point, it is possible to see the Wicklow Mountains from Anglesey. I can picture Agricola sitting on the rise above the harbour, looking at the mountains across the waves, and promising to conquer another land for his Emperor. Agricola was a Roman general famed for his conquests—driven to succeed—and I doubt he would have been able to resist.
Irish Raiding—Another motive for Agricola to invade Ireland was the constant raiding by Irish reavers. There is evidence of Roman defences along the western coast of Anglesey. Agricola might have supported Túathal so that he had an ally on the throne, thereby reducing the raids.
In summary, I am firm in my belief that Agricola and his legion set foot in Ireland. I envision them establishing a bridgehead on the Drumanagh Promontory. Yet, I am equally certain that they did not venture further. The reasons for their withdrawal remain a mystery, but I have woven a compelling theory in my trilogy, The Iron Between.
You can find the first two books in the trilogy here:
The final installment of the series, Anvil, is set to be released in the autumn, promising a thrilling conclusion to the saga.

The year is CE 77. Vespasian appoints Agricola as governor of Britannia.
Upon arriving, Agricola is told of an Ordovician attack led by his enemy, Luchar, where a cavalry outpost has been destroyed, and the sons of Rome’s senators massacred. He remembers a similar event when he was a Banded Tribune seconded to Suetonius. Those memories bring back the horror of his friend Quintus’s murder at the hands of the Celta warrior.
Now, bent on revenge, Agricola begins the systematic annihilation of the Ordovician people, which leads him to the conquest of Mona and beyond…
“The author is clearly in his element bringing to life this tense world in which ‘the gap between living and dying was no more than two hand spans.’” — Kirkus review of Iron, book 2 of The Iron Between trilogy.


The author sets the stage in Renaissance Florence in 1584, where a poignant question looms over Prince Vincenzo Gonzaga of Mantua’s virility. In a bid to secure his marriage into the Medici family, Gonzaga is compelled to prove his ability to father children. In a twist of Medici infamy, an orphan girl, Giulia, is chosen by their minister to be the one to end the rumours. Uncertain of the magnitude of her sacrifice, Giulia is promised a substantial dowry and a husband. Reluctantly, she agrees, and her journey begins, under the watchful eye of the Medici’s Minister, Vinta.
Mezzacappa’s The Maiden of Florence is a masterful blend of historical events and fiction. With her exceptional skill as a wordsmith, the author weaves a powerful narrative that seamlessly merges the historical and the fictional. The novel incorporates significant events from Renaissance Italy, such as the political intrigues of the Medici family and the societal norms of the time. Having delved into numerous works of fiction set in Renaissance Italy, I can confidently say that this beautifully crafted story stands out.
The author’s dedication to research is commendable, and it shines through in the narrative. Yet, she deftly avoids the common pitfall of overwhelming the reader with excessive information, keeping the story engaging and intriguing.
I have no issue with awarding the novel 5/5 stars. The author’s skillful blending of history and fiction, the compelling narrative, and the well-developed characters all contribute to making this a standout novel in the historical fiction genre. I highly recommend it to anyone interested in Renaissance Italy or historical fiction in general.